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Varinder Brar's latest single, "The Jatts," has sparked conversation and controversy in the Punjabi music scene. This isn't your typical Bhangra banger; it's a provocative exploration of masculine identity, rural tradition, and the complex relationship between Jatti pride and contemporary realities.
The song opens with a traditional flute melody, quickly juxtaposed with a pulsating beat and Brar's husky vocals. The lyrics, penned by Brar himself, are both direct and poetic, painting a vivid picture of rural life for Jatts – a community historically associated with agriculture and landownership. Lines like "Khetan de sultan hun" (I am the king of the fields) and "Kurhi wich taan pakki hun" (My grip on the axe is strong) showcase the physical prowess and connection to the land traditionally linked to Jat identity.
The music video, directed by Sukh Sanghera, further amplifies the song's thematic complexity. We see Brar performing amidst expansive agricultural landscapes, wielding an axe and embodying the image of a rugged farmer. But intercut with these scenes are glimpses of a different reality: Jatts in suits and ties, driving luxury cars, and engaging in contemporary pursuits. This visual contrast raises questions about the evolving nature of Jat identity in the face of modernization and urbanization.
"The Jatts" is not simply a celebration of Jat heritage; it's also a critical examination of its rigid gender roles and expectations. The lyrics reference historical battles and sacrifices made by Jatts, prompting questions about whether these narratives of masculinity still hold relevance in the 21st century. The video further emphasizes this tension with scenes of women working alongside men in the fields, challenging traditional gender divisions.
However, the song's critique is not without its own complexities. Some have criticized the video's portrayal of wealth and consumerism as reinforcing negative stereotypes about Jatts. Others have expressed concerns that the song's focus on masculine strength masks the contributions and experiences of Jat women.
Despite these controversies, "The Jatts" remains a thought-provoking and timely piece of music. It compels us to engage in critical conversations about masculinity, tradition, and the evolving identity of the Jat community. By sparking debate and challenging audiences to think beyond cliches, Brar's song pushes the boundaries of Punjabi music and encourages a more nuanced understanding of Jat heritage in the modern world.
Koi mittran na kheh j eh ho nhi skda
Jatt de star koi kho nhi skda
Mapea de nal dili sanj rakhi a
Tera gadva husan sanu moh nhi skda
Koi mittran na kheh j eh ho nhi skda
Jatt de star koi kho nhi skda
Mapea de nal dili sanj rakhi a
Tera gadva Husan sanu moh nhi skda
Oh vri krda kde ne , Jrda kde ne
Sannu babe valo ditti good life a
Jatt Life sadi poori thud life a... 2
Paise pose valo chib kadh life a... 2
Vaili krde slaam sadi gaddi vekh k
Naaran hundia ne hang taur kadhi vekh k
Vaili krde slaam sadi gaddi vekh k
Naaran hundia ne hang taur kadhi vekh k
Vadde mantri v votan nede hath adhde
Line Mittran de piche laggi vaddi vekh k
Follow krde ni rule paida krde asool
Jane jag sara sadi fatte chuk life a
Jatt life sadi poori thug life a
Paise pose valo chib kadh life a
Jatt life sadi...
Paise pose valo...
Oh Gal Google de lyi khaas hundi aw
Jehri naam sade utte vardaat hundi aw
Oh Gal Google...
Jehri naam sade...
Oh jdo guna de shokeen sare yaar chandre
Ni Das asle di fir kittho ghaat hundi aw
Ho rehnde Kudian tu door Sara gusse da
Ksoor kehnde lena ki a jdo sadi gun wife a
Ni tu ikk vaar naam mera laina balliye
Ni har banda sun mannu tera Kehna balliye
Ni tu ikk...
Othe police da auna jana bane balliye
Ni jehri thaa te Varinder da behna balliye
Ho munda karda Ni chase bas kre replace
Ah lalli challi nalo poori adh life a
Jatt life sadi...
Paise pose Valo...
Oh itthey kyean nu lagge
Ki ohna tu h bnde gaane a
Apni umraan tu vadh k
Aiwe bnde syaane a
Ah area ch gall jehi uddi a
Koi a reha todan lyi rkaad
Gaane likhe gusse vich a k
Beh k sun Varinder Brar
The song opens with a traditional flute melody, quickly juxtaposed with a pulsating beat and Brar's husky vocals. The lyrics, penned by Brar himself, are both direct and poetic, painting a vivid picture of rural life for Jatts – a community historically associated with agriculture and landownership. Lines like "Khetan de sultan hun" (I am the king of the fields) and "Kurhi wich taan pakki hun" (My grip on the axe is strong) showcase the physical prowess and connection to the land traditionally linked to Jat identity.
The music video, directed by Sukh Sanghera, further amplifies the song's thematic complexity. We see Brar performing amidst expansive agricultural landscapes, wielding an axe and embodying the image of a rugged farmer. But intercut with these scenes are glimpses of a different reality: Jatts in suits and ties, driving luxury cars, and engaging in contemporary pursuits. This visual contrast raises questions about the evolving nature of Jat identity in the face of modernization and urbanization.
"The Jatts" is not simply a celebration of Jat heritage; it's also a critical examination of its rigid gender roles and expectations. The lyrics reference historical battles and sacrifices made by Jatts, prompting questions about whether these narratives of masculinity still hold relevance in the 21st century. The video further emphasizes this tension with scenes of women working alongside men in the fields, challenging traditional gender divisions.
However, the song's critique is not without its own complexities. Some have criticized the video's portrayal of wealth and consumerism as reinforcing negative stereotypes about Jatts. Others have expressed concerns that the song's focus on masculine strength masks the contributions and experiences of Jat women.
Despite these controversies, "The Jatts" remains a thought-provoking and timely piece of music. It compels us to engage in critical conversations about masculinity, tradition, and the evolving identity of the Jat community. By sparking debate and challenging audiences to think beyond cliches, Brar's song pushes the boundaries of Punjabi music and encourages a more nuanced understanding of Jat heritage in the modern world.
Koi mittran na kheh j eh ho nhi skda
Jatt de star koi kho nhi skda
Mapea de nal dili sanj rakhi a
Tera gadva husan sanu moh nhi skda
Koi mittran na kheh j eh ho nhi skda
Jatt de star koi kho nhi skda
Mapea de nal dili sanj rakhi a
Tera gadva Husan sanu moh nhi skda
Oh vri krda kde ne , Jrda kde ne
Sannu babe valo ditti good life a
Jatt Life sadi poori thud life a... 2
Paise pose valo chib kadh life a... 2
Vaili krde slaam sadi gaddi vekh k
Naaran hundia ne hang taur kadhi vekh k
Vaili krde slaam sadi gaddi vekh k
Naaran hundia ne hang taur kadhi vekh k
Vadde mantri v votan nede hath adhde
Line Mittran de piche laggi vaddi vekh k
Follow krde ni rule paida krde asool
Jane jag sara sadi fatte chuk life a
Jatt life sadi poori thug life a
Paise pose valo chib kadh life a
Jatt life sadi...
Paise pose valo...
Oh Gal Google de lyi khaas hundi aw
Jehri naam sade utte vardaat hundi aw
Oh Gal Google...
Jehri naam sade...
Oh jdo guna de shokeen sare yaar chandre
Ni Das asle di fir kittho ghaat hundi aw
Ho rehnde Kudian tu door Sara gusse da
Ksoor kehnde lena ki a jdo sadi gun wife a
Ni tu ikk vaar naam mera laina balliye
Ni har banda sun mannu tera Kehna balliye
Ni tu ikk...
Othe police da auna jana bane balliye
Ni jehri thaa te Varinder da behna balliye
Ho munda karda Ni chase bas kre replace
Ah lalli challi nalo poori adh life a
Jatt life sadi...
Paise pose Valo...
Oh itthey kyean nu lagge
Ki ohna tu h bnde gaane a
Apni umraan tu vadh k
Aiwe bnde syaane a
Ah area ch gall jehi uddi a
Koi a reha todan lyi rkaad
Gaane likhe gusse vich a k
Beh k sun Varinder Brar